Showing posts with label kobudo. Show all posts
Showing posts with label kobudo. Show all posts

Monday, May 23, 2011

you shoulda seen the other guy



yeah, not a scratch on him. Total self-inflicted wound, 自爆.

We were working on bo vs. sai.

hmmmmm. test coming up for me, lots of pressure every practice, very good feeling.

But I smacked myself good.

teacher / friend T. said that until you injure yourself with a weapon, you don't really know the weapon. Well I have cleared the nunchaku (past post) and tonight cleared the sai. Which one is next?

I recovered well, switching into free-style and doing whatever worked to restrain the opponent, but still, the pictures are not pretty.

We ran through the full set of bo vs. sai and I mucked up a couple times but recovered well -- not the official form but I adjusted naturally, smacked the other guy in an unexpected but effective way. Still, tonight's performance would not pass the test.....So I was satisfied, I could adjust in different circumstances, still whack the guy, but I couldn't pull off the needed techniques to pass the test.....

Check back next week....

Friday, February 11, 2011

worst technique (2)


Yes, the sai again. A little strange, since I am usually at my best with pairs of short / small weapons (sai, yuan yang yue, nito ryu in kendo)…My chosen bed-side (futon-side, actually) weapon is a pair of short sticks.

I am working on the bo vs. sai set lately, 10 simple and elegant techniques which will feature in my upcoming testing. Two of these ten techniques have a technique which I have had much trouble with – the opponent swings the bo staff across at my left side.

I rotate my body to the right and block with the sai in the left hand (hand down, tip up). The key is to keep the left arm braced against the body (against the rear in one technique, against the left hip in the other) and the sai in contact with the forearm, not letting the tip flare out.

Failure to do this technique properly results in pain. I don’t seem to be learning from pain as quickly as I used to.

Monday, October 25, 2010

Akamine Sensei in Tokyo


Stilllll catching up on old photos. Akamine Sensei visited Tokyo last spring (and has since been to the US for the opening of Tim Jurgens Sensei's dojo) and led a fantastic seminar. I would really like to get down to the honbu dojo in Okinawa while still living in Japan...

Thursday, June 24, 2010

twins?


which one is the evil doppleganger?

Friday, October 9, 2009

karate memories (1)


Had a nice long solo practice at home tonight, spent most of it on kobudo. Somewhere in the blur of motion my mind began wandering. I took a break and let it go where it would.

(I) There was one visit, a friendly visit to another karate practice. Was it in the Dallas area, on a visit to relatives there? A very small group with a male teacher, a female top student, myself, and some beginners. We three continued after the beginners had finished their paces.

They were also Shotokan karate, though of a different line. Everything was the same but slightly different. He had the lead student and I start running through each of the Shotokan kata, side by side. Both brown belts, we were in the best of condition and the hungriest of spirit.

The three taikyoku kata. The five heian (pinan) kata. And so on, one by one. The three tekki (naihanchi) kata. Not a word said, just the name of the next kata after a short rest between each. Both bassai kata. Ji’in, jion.

It was the best kind of competition, both of us showing our stuff while respecting the other. We just wanted to show good kata, not to be better than the other person. Jion, nijushi. I began to wonder how far we would go, when he would say something. I hadn’t yet learned either of the gojushiho kata. If memory serves, I knew a couple more kata than she did. I hesitated, looked at him, got no signal of any kind, which I took as a go-ahead. He called a couple more kata, but I think it was getting clear that my breadth had exceeded my depth and there was no purpose in going further.

He never did say much more and I was uneasy, unsure what his purpose had been , what he had been looking for. Yet there was nothing negative, either. We finished off with some basics, bowed and exchanged thanks and goodbyes.

(II) All of this comes on the heels of an excellent practice last week (already blogged) in which we spent over two hours on a single weapon, the nunchaku, rather than the usual run through several weapons. Depth to balance out the breadth, and much appreciated.

(III) Sometimes I get little blasts from the past, very specific memories of places where I practiced. One late night outdoors in Texas, in the space between my parents’ house and the neighbors, as the air conditioner whirred into the night. I can still feel that night’s breeze cooling me between kata. I had taken my bo staff with me on that trip, and ran again and again through the selection of bo kata I knew. No one was watching, but it felt like anyone could be watching, and I knew that my kata were good.

Another visit, this one to a dojo inside a sweltering Quonset hut in summer in Bemidji, Minnesota. A karate / kobudo class with one teacher, two students, and me. And about twice that many onlookers outside, occasionally jeering but not venturing inside. I was a bit wary upon leaving, but found no one looking to jump me.

And another visit, to a long-running dojo which had only recently opened its doors to men. A friend of a friend was a long-term member and arranged for my visit. I was very impressed with the practice and have always wanted to return for another visit. It was an unplanned visit and I was treated exceptionally well, loaned a karate-gi, the works.

Other practices surface: striving in vain to hold kiba-dachi horse stance in the late night waves on a North Carolina beach, striving in pain to hold kiba-dachi in calf-deep snow in a backyard in Nebraska. The surface of the snow had iced over and I found blood running down both legs upon going inside – but had felt nothing outside, numbed by the cold.

The blood that had slowly accumulated on a makiwara punching post in the basement. And the giant, swollen tick I found on the carpet backing / punching pad I found one night under the single light bulb which illuminated the whole basement.

My first karate summer, was it 20 years ago? I had been through the university class, which captured me from the start, 4 ½ months in the spring and a bright new yellow belt. I knew from the first day it was for me and jumped in all the way.

I was the epitome of the bookish nerd, had been for 20 years. And now my body was moving and growing strong like it never had before.

Remember the kid who had perfect grades and shunned all the sports and athletes? That was me. The kid whose only athletic accomplishment (apart from a long and relatively undisturbed stint in right field in elementary school softball) was joining the cross-country track team and coming in dead last at every day’s practice except that one glorious day when the Always Second-to-Last kid had a cold and I swept past him in glorious victory (blogged about way back when)….that was me.

Maybe all those years of no physical activity, all the piles of science fiction novels, all the games of chess, had been building up to something. Because once it started, it couldn’t be stopped. I practiced like I had done nothing before in my life, as if fully awake for the first time. It consumed and shaped my life.

Too much so. My social life was arranged around an endless practice schedule. Staying the night at one place on a bitter cold winter night. I arrived after karate, of course, and hung my stinking dogi up to dry in her kitchen. The sweetest cup of hot chocolate in the history of the world – but that aroma had to dance and waft around the stench of a karate gi / uniform. If I only knew then….That was long before I knew that Practice sometimes has to take a back seat to more important things.

After that first semseter’s class, I continued in the sparsely-attended summer classes and spent afternoons pouring sweat in our sauna-like attic: multi-colored shag carpet and a wavy, broken line of foot-wide mirrors bought at various thrift stores. I ground those taikyoku and heian kata into my body. Our Sensei had written a text for the university classes and it was my guide day after day as I spent the afternoons preparing for the nights.

After more than the usual four or five years, I graduated university with three majors (I’ve never been one for focusing too narrowly….) and High Distinction. But the real story was not written on my diploma. My real passion and endeavor through it all was karate. What I really learned at that time was Japanese budo. It was played out there in the dojo and was written on and in my body over seven years, all leading to my coming to Japan.

Strangely, it was never quite right after coming to Japan. Long stories there for another time and place. Many things I might have, should have done differently. Many opportunities missed.

Fast-forward past all that. Now in Japan twice as long as I practiced karate and other budo in the US. I now find myself immersed in the Chinese martial arts, having found that one teacher and training environment which are right for me at this time. The Chinese martial arts world tends toward breadth (with depth) in just the way that the Japanese martial arts world tends toward depth over breadth. Maybe I have found my place after all.

(IV) What is my first, strongest karate memory? Maybe one from the end of that first semester. It was the last class before our paper test. Of course we had a practical test with kihon basics, kata forms, and kumite sparring. But there was also a written test which covered a wide range of material. On the last day, one of the teachers was drilling us. She asked a question about the meaning of the name of our branch of karate, Kenkojuku Shotokan.

No one else raised their hand. So I, in all my introverted glory, cast my eyes about and shyly raised my hand. I think she knew that I knew that answer, as she looked around for someone else to call upon. No other hands went up. She nodded, I answered, almost too completely.

I could feel way too many eyes staring at me. Was it the last question? Maybe so. We rose, bowed and said a final “osu!”, and left the training hall. I knew at that time that I had found something which would shape and guide my life.

(V) 2009. It has been too long since I have gone back. An ocean away and farther, as I move ever deeper into a different world. But on nights like this, I can pull out those taikyoku and heian kata and take myself straight back to the attic where I first burned them in.

Osu.

Monday, August 24, 2009

The gathering of the 5000


A couple weeks back there was a major karate and kobudo gathering in Okinawa. Over 5000 participants from around the world gathered inside the Okinawa Prefecture’s Gym. There were so many demos that 6 or 8 rings were running simultaneously.

I didn’t make it down for the fun, but several dojo mates and seniors did. By chance, I had an open Wednesday night so I visited the Morishita dojo where I have practiced a few times and have always been made to feel extremely welcome.

Though I missed out on the big event in Okinawa, it worked somewhat to my advantage because most of the people from Tokyo had not yet returned. That meant only four people for kobudo practice and more individual attention from the teacher.

He asked each of us to focus on whichever was our weakest weapon for that night’s practice. Oh, so many to choose from when they all need work. I opted for sai, since I will need to perform tsukin shita haku no sai (chikin shita haku no sai) for my next rank exam. And because I have not been able to nail the down block / rising block combo which is done about 552 times in the kata and that has caused some concern out in Tama where I usually practice.

The extra scrutiny from the teacher was well worth it and my kata or form has been completely rebuilt. Now to grind in the changes through about ten thousand reps before the test…

(photo of a number of bo staves strapped onto a bicycle for easy transportation around Tokyo)

Monday, July 13, 2009

hungry, thirsty, and gotta piss 5


I walked into the dojo, quite late because (A) work ran late, even after I had arranged in advance for it to finish early, just to get to the dojo earlier, and (B) there had been yet another train suicide and the trains were stalled and the train platforms impossibly crowded, and me with my bag-o-Okinawan-weapons.

N: “Hi Bryan, nice to see you. Are you free on the 29th?”

B: shit….loaded question….think fast….I think I know what’s coming…”Yes, I could be”.

N: “Good, there will be a test. You’ll need to do bo kihon and the tekko kata”.

B: “OK, I will be there”. Shit shit shit.

OK, we have focused rather exclusively on the bo-tai-bo and bo-tai-sai sets and I am getting familiar with both sides of each, if a bit by-the-numbers. I check again, just to be sure.

B: “So, only bo kihon (staff basics) and the tekko kata (knuckle-dusters, essentially)?”

N: “Hmmm, there might be one of the nunchaku kata as well.”

B: “OK, I ‘ll be ready.” I don’t want to push my luck by asking which one.

So it goes. Time to re-arrange the rest of the month, gear up for this chance.

It was another great practice, and I forgot all the problems. Hoping for those few extra minutes of practice, I had foregone toilet, dinner, and water. It took me straight back to last summer in Beijing, those glorious summer nights with Liu Jing Ru Laoshi.

I worked all day at the Olympics, dashed off as soon as I could, raced across that crazy and wonderful town and…sat down to relax with Liu Laoshi over tea in Tao Ran Ting park. Before scrutinizing my ba gua zhang or xing yi quan, he would critique my ability to snap a folding fan open and shut. Glorious and unforgettable nights. Go see the hungry, thirsty, gotta piss series in this blog, which started in Beijing.

Same story – how much will you give up for those few extra minutes of practice? And just like in Beijing, once I got moving tonight, I forgot all about having to piss, being hungry, needing a drink.

Yeah, I know, you should relax and slow down and all that. But sometimes we can forget the complaints and limitations of the body. And the relief is all the better once practice is done. No tea for me, thanks. I’ll take another cold beer. They taste so much better tonight.

Tuesday, May 26, 2009

unlearning



My first kendo teacher in Japan didn't immediately teach students who came to him with prior experience. He said he would wait 3 years, to watch them, judge their character, see if they were teachable.

By this I think he meant that he was waiting to see whether or not they could unlearn what they had previously "learned". He had to work with a blank slate, to write his own kendo upon each person from scratch. At the time, I had a hard time understanding his approach. Looking back, I don't think I unlearned enough kendo to learn what I could from him, and it is to my ongoing detriment.

I have a hard time letting go of things, especially when it comes to martial arts. That is part of what has gotten me into my current mess, trying to work on too many things at once.

Starting something completely new, unrelated to any prior martial arts activity, is relatively easy. But starting something that is related to things you have studied before...there are endless problems of cross-over, of old habits that interfere with new ways.

I have felt this most keenly in kobudo. As part of my karate training, we learned several weapons forms or kata. I burned some of those into my body pretty deeply, and the habits and motions of a decade and more are not easily erased.

I have had no karate action for a few years now. But I have recently made a big shift in kobudo, shifting from a couple-years' half-assed commitment to kobudo to a much more serious approach lately. It has not been easy, and there has been much unlearning.

The forms I learned many years back were right, true and correct for me at that time. More recently I have come to see them as having been "Shotokan-ized", adapted and changed from the original to fit into the overall rubric of Shotokan karate. Some of the forms I am working on now are exactly the same ones I started over fifteen years ago - and yet they are completely different.

The best example is Shuushi no kon sho, one of the basic bo / staff kata. It is the same and yet different. On the surface, you could see two people doing roughly the same kata, but once going in deeply, they become worlds apart.

For some years, my ideal was to preserve the old forms I had learned in my formative years while getting to know the "new" (original) ones. And, predictably, I made progress in neither. I have finally tried to let the old forms I grew up on go completely, and am focused solely on the "new" (for me) forms - and am, also predictably, also finally making progress.

Another example is the sai - a weapon made of metal, slightly longer than one's arm (see photo elsewhere on the blog), a rod with two tines protruding. One of the basic kata is tsukinshitahaku no sai (or, in the Okinawan dialect, chikinshita haku no sai). I have had to unlearn and re-learn completely opposite motions and principles. Only recently, after completely setting aside the "old" form which I originally learned, have the "new" motions sunk into my body.

"new": stack up at 45 degrees, block fully facing or torso square into the opponent. Stack up with the handle near my shoulder or armpit, not up by the ear. the arm is flat to block down, with the sai outside on the edge - not with the arm rotated or turned out. Narrower front stance. And on and on.

When I think about it, it has taken me just about three years to let go of my old habits, fully open myself and embrace the "new" habits. Maybe now the real learning can begin.

Tuesday, May 5, 2009

adjusting to your environment (1)


Three days of one week, five of the next week, spent down (up?) in the mountains near Hakone, maybe 90 minutes from Tokyo. It was a beautiful location with a perfect view of both Mt. Fuji and the ocean.

But no outdoor training for me. This was a work gig after all – teaching business English skills to ten new employees of XOXO Company in the company’s training facility. It is an immersion program, all English all the time, and we were pretty much under lockdown.

It reminded me a little of pharmaceutical studies where the subjects are confined to a building for a set period of time, except the pay is a little better. No one goes out the front doors. There is nothing within 20 minutes’ taxi ride of the building.

If you want fresh air, you can go out on the balcony or up on the rooftop. I chose the latter, away from prying eyes. Fresh early morning mountain air, no one up there except me and the surveillance camera. Great tai ji setting.

Some nights we worked until 9 PM. Some nights we trainers finished early while the trainees kept working or preparing for the next day’s activities. Those were the good nights.

I had taken up a pair of nunchaku and a pair of tekko in my suitcase – both smallish and the former lightish. But there was no question of taking up a wooden bo staff. Luck was with me, and I found a two-meter aluminum pole with a hook on the end (for catching handles on open windows near the ceiling).

A bit lighter and longer than my bo, and with an unneeded hook on the end, but other wise perfect. I found a fairly secluded spot and got to work, careful not to rip any of the scrolls hanging on the walls. The space was just right and only a few people came to gawk.

I saw a couple of them later. All the work had been completed and the trainees were drinking in a common room. In the middle of that crowded floor, two of them were trying to work through one of the first kata in Shotokan karate.

That was neither the time nor the place, but the next day we found an empty training room and I ran one of them through it, helping him remember the form he had learned in a university class all those months ago.

All in all I kept up a good training regimen through the lockdown – daily morning stretching in my room, rooftop taiji in front of Mt. Fuji, and evening kobudo work on alternate nights. Some weapons I took along, some I found along the way, and all came in handy.

I have another 8 days of training in the same facility coming up later this month and am already thinking of how to maximize training opportunities under lockdown. I recall The Lab in Lincoln where I did enough pharmaceutical studies to pay for much of my university tuition.
We could have limited exercise in the courtyard. At that time I was working on the 3 tekki kata (naihanchi), which involve movements left and right on a straight line. There was a short (one-foot?) concrete wall lining a flower bed and I don’t know how many hours I spent atop that ledge, zipping left and right.

Any weapons would have been seized immediately, but open hands work was fair game, as long as you were willing to put up with a constant chorus of hi-yaaaa’s and misinformed comments about “tae kwon do bullshit” in the background.

But none of that atop the roof under the morning sun.

Monday, April 6, 2009

Kobudo Day 3


What a strange and good day. It began with my daughter’s entrance ceremony for elementary school, a major event here in Japan. Continued with my private lesson with a Chinese student here in Japan. Then moved to kobudo practice for 3 ½ hours, the perfect finish. And cherry blossoms at every stop along the way, all in full bloom, expanded as far as they can go, and only one place to go…

So my kobudo revolution continues. Blasting ahead in every practice – yet each time being reminded of how little I know and how far I have to go.

See the poster for an upcoming tournament, probably the cause for my first and long-delayed trip to Okinawa…

Time for more beer and some late night cherry blossom viewing.

Saturday, March 21, 2009

kobudo day (2)


After being excoriated in an earlier comment on the "kobudo day" post, I should like to offer this update. The turtle (tortoise?) shell is real but quite old. No metal tip on the other piece yet. The real things (OK, synthetic turtle shell) are on order, more on that later.
No blood recently, either.

Monday, March 16, 2009

learning about your weapon


Regarding kobudo weapons training, a teacher friend tells me that you haven’t really learned about the weapon until you have injured yourself with it. Given the number of weapons in our system, there are ample learning opportunities.

I had a very nice one a couple years back, trying to follow along with some others who knew a higher level nunchaku kata. It is quite a bit fancier than the one I was working on and involved many more types of swings and strikes.

This was a new kata for me. They weren’t going to slow down for me. I could/ should have stepped out to observe, but something in me can’t do that. So, going too fast through a kata I didn’t know…

Bam, the tip circled back and struck me between the lower lip and chin. That smack or my following bad word were enough to draw everyone’s attention. Again, I could/ should have stepped out, but something in me can’t do that.

So I was frantically trying to follow along while also running my tongue around inside my mouth, trying to check for any teeth that might be floating about in the blood that was seeping out.

It is a sort of multi-tasking, I suppose. Like when sparring a Thai kick boxer who blasts right through and kicks me in the mouth, just like that. (Could have should have worn a mouth piece). My jaws and teeth crashed together and I heard something fall on the dojo floor. But it was not the time to stop. Knowing immediately that I was not near his level, he was kind enough to ease up a bit, which made discovering my half-broken tooth with my tongue –while trying to continue sparring - a bit easier.

Following up last night’s excellent 3 hours of kobudo practice, I was outside this morning when another learning opportunity arose.

This time it was the sai. Everything was going smoothly and I was reworking all my motions from the ground up. Then one of the metal tines on the side of the weapon caught or snagged the pocket of my jacket. There was a beautiful instant of realizing that it had caught and adjusting the usual path of the sai to avoid ripping the pocket. (see “if I were a true master” series of posts)

That instant was followed by another in which I realized that altering the path of one hand, without altering that of the other, could have unpleasant circumstances. The beauty of the prior instant gave way to a rather different sensation, one of pain, as the end of one sai ripped across a couple of my fingers.

Then it was time for multi-tasking again. Of course stopping the motions of the kata to inspect the damage was not an option. But I was really curious as to whether or not blood was flowing. I could glance down at the hand…but that would disrupt the flow and focus of the motions. Drops of blood on the ground or jacket? Same problem.

Nothing to do but keep going. As expected, the damage was not too severe: the blood staunched quickly and the lingering sting is a good reminder.

Time to review the tekko (brass knuckles, basically) next. Surely I won’t be served up two learning opportunities in one day.

(picture from Vancouver)

Thursday, March 12, 2009

Kobudo Day


I really shouldn’t do things like this.

But it’s spring, and sometimes the body and mind just can’t be controlled. I couldn’t help it. The entire day was spent on ryukyu kobudo.

My glorious days of underemployment are rapidly drawing to a close. Today may have been my last full, complete, and uninterrupted day of being a househusband / occasional part time worker. And my kobudo practice has been terribly neglected lately, despite larger amounts of free time.

It started with the nunchaku. I haven’t covered that form in a while and I needed to go through one of the kobudo forms I know well. That got to feeling pretty good pretty quickly so, just for fun, I ran through an old nunchaku form I had learned in Nebraska. Once through and that was feeling good, but better put in a few more reps to make it better than good. That led into a third form, and so it goes.

After that, well, you can imagine.

The sai came next. I have been stuck between two forms for too long now. The Shotokanized version of tsukin shita haku no sai I learned in the US, and a very different (original??) version I am learning here as part of Okinawan Ryukyu Kobudo.

I say different, yet they are fundamentally the same kata. That is the worst possible combination, because there is too much cross-over and interference between the two. My first idea was to preserve the weapons forms I had learned in Nebraska (each differs slightly from the Shotokan versions I learned here in Japan), and slowly learn the Okinawan forms.

I have not dedicated enough time to either set and have recently felt that I must go in the opposite direction – set aside the Nebraska forms for a while and get these down well, then maybe go back and re-integrate the forms I started with.

Suddenly my progress has quickened and as of that fine day, I can get through this version of tsukin haku no sai (or chikin haku no sai, in Okinawan dialect) reasonably well. Now the real work begins…

Anyway, it was a fine day all in all, working through other weapons in the curriculum and getting ready for the upcoming classes I will be able to squeeze in before the ugly thing that is work raises its head.

I have gotten over the hump, anyhow. For too long I was stuck half-knowing a couple of these forms, able to follow along with the group and maybe able to stumble through it on my own. Now I am where I need to be, able to take a decent version of the form into class and have it worked over and really benefit from that. Then all my solo work at home will be taken up a higher notch, and I will be ready to take in an even better version the next time, and so on.

Like I said, now it really begins.

(photo shows home-made version of tinbe and rochin. real ones are on order)

Monday, December 22, 2008

kobudo and ba gua zhang


A good teacher friend was telling me about his kobudo system. What struck me was their open attitude toward practitioners from many disciplines – something which reminded me of the way the art of ba gua zhang began.

Kobudo, or Ryukyu Kobudo, is a system of weapons forms from the Okinawan Islands. The curriculum includes bo staff (the fundamental weapon of this group), nunchaku, tekkou (brass knuckles, basically), sai (pair of short metal weapons), tonfa/ tunfa (pair of short wooden weapons), kama (pair of scythes?), eku (oar or paddle), and the tinbe/rochin combination (turtle-shell shield and short thrusting weapon).

There is much cross-over with those training in Okinawan karate styles. Our teacher is of Shorin Ryu lineage in karate and naturally teaches both karate and kobudo. Some people start kobudo after years or decades of karate work; others follow the reverse pattern, and still others begin both nearly simultaneously.

People come in with deep experience in a different karate ryuha or school – they go through the same basics in kobudo as everyone, but have a tough time shaking old habits (i.e. spot the xxx-ryu guy with his extremely deep shiko-dachi stances: way too deep for us, but correct in his system).

Here is the point- people of all stripes are welcomed; it is inclusive. Of course everyone is expected to move nearer the “correct” style for our particular group – but there is also much understanding and respect for differences. This, to me, is especially refreshing after years in Japanese budo, which are extremely exclusive – things must typically be done exactly THIS way, or not at all, there is the door.

To maintain the tradition, there must be sameness and uniformity…to some extent. The answer, I suppose, lies in balance between faithful continuation of the tradition and realistic recognition of variation. Listening to my friend, I felt strongly that this group has an excellent sense of that balance.

Ba gua zhang (pa kua chang) was created well over 100 years ago and one person is recognized as the originator: Dong Hai Chuan (董海川). He had several main students – and each of them began ba gua having already trained for extended periods in other martial arts. And Dong taught each of them differently, according to the styles of motion already inherent in their bodies. Thus, several lines of ba gua zhang remain extant today, each still reflecting characteristics of the arts already mastered by those who later began ba gua zhang (xxx was a master of Shuai Jiao “wrestling” – his branch of BGZ has more grappling applications). They were actively encouraged to develop their own styles of BGZ while remaining true to its principles.

These two arts differ in the sense that (virtually) no one is encouraged to develop his / her own style of kobudo (then again, perhaps things were different as the roots of kobudo were developing. And there is certainly no single “founder” of kobudo). But the similarity in terms of openness or inclusiveness really struck me.

Much has been written about the many similarities between ba gua zhang and aikido, and there is supposition that aikido founder Ueshiba encountered/ studied ba gua zhang during his secretive years of travel in China (see posts at Dojo Rat in particular).

But this is the first time I have thought much about similarities between ba gua and kobudo. The physical motions bear no resemblance. Yet at a deep level, both serve as the same type of model for welcoming and encouraging practitioners while maintaining a good balance between adherence to tradition and acceptance of difference.

The photo shows two people, each demonstrating a different version of the same basic ba gua zhang posture. One is a master. One is obviously not. (from the 105th anniversary celebrations of Sha Guo Zheng's birth, in Kunming)